Romeo & Juliet Update.. (see previous post 26th Nov)

OK, so quite some time has past since I posted about my involvement on the Romeo & Juliet project.. A lot has happened in that time and plans had changed, including the amount of input and involvement that was required by the group. It has now all come to an end and the production is currently being shown at the New Players Theatre in London, but because of my lack of updates I will backtrack on the details and tell you more about my part in the project...

So from where I left off in the last post, I had met the other girls involved - 2 recent graduates from the BA Costume Design course here at the Institute, a full time mum who has had previous experience making costumes for local productions, and a 6th form student who is going to be enrolling on the Foundation Art & Design course next year (same as what I did last year). So it was nice that we all had local connections of some sort.

2nd Group Meeting

Our task mentioned in the previous post was to come up with our individual design ideas ready to put forward to the group. I had spent quite a bit of time researching and reading up about Renaissance dress from books in the library, as well as watching the Zeferelli film, so this gave me lots of ideas to use in m designs. In this meeting we also met another member of the group, Michalis, who was to be like our team leader as it were! He was mainly going to be involved in the set design but the director, Julia, wanted him to be involved with the costumes as well.

We then then found out that we needed to incorporate more rap and hip hop style references into the costumes, as is reflected in the music and dance, and not just focus on Renaissance styles. We had to try and find a way of incorporating the two into one look that worked - this was really hard to achieve! I began looking at some hip hop references and imagery to help inspire me but I found it rather difficult to mix both styles into one design as I thought it just didnt look right. However I gave it a go and this is some of what I came up with..

3rd Group Meeting
After presenting all our ideas to the group, (some of mine are shown above) we decided that it was quite difficult to put ideas down on paper, so instead we were given the task of hunting through the charity shops in search of items of clothing that we could alter, in order to make them look rap/renaissance. I found a few items - a pair of shorts, pair of tracksuit bottoms, a large t shirt and two sleeveless t shirts. I thought it would be better to use the largest sizes I could find as then I'd be able to create volume within the clothing by gathering certain areas, in order to create a renaissance look.

My renaissance garments made from sportswear

4th Group Meeting
Julia had decided that they wanted Michalis to work more directly on the costumes and to take over the designing. This was understandable as perhaps she wanted someone to be more in charge and who was able to dedicate more time to the costumes. However, it was disappointing and rather annoying as I had put quite a lot of time into the project by now through research and design ideas, time which for me could have been more importantly spent on doing my coursework for uni. The rest of the group were also disheartened as they too put a lot of effort into it, only to find that it was all a bit of a waste. Anyway, on this day we presented what we had found and made from the charity shop finds. It was quite fun as I was able to see what everyone else had put together and we also did some cutting and pinning whilst we were there, playing with fabrics and garments. Michalis showed us some of his ideas of taking sports graments and tracksuits and making them look renaissance. It was very clever and interesting and gave us a clearer idea of what it was he was trying to achieve with the costumes. But still, our roles now were simply to help out with the making of the costumes. We now just had to wait to be told the list of items he wanted us to make and wait for the fabrics and designs to be dropped off to us in Bournemouth from London.

Michalis's creations

Playing with fabrics and draping

Times Passes..

After parting for the Christmas period, eventually in the new year we recieve an email of the shortlist of what we were asked to make.. 2 kilts, 5 pairs of harem style pants and 9 pairs of knee pads. This wasn't going to be too difficult to achieve as there was 5 of us so we were quite happy in this respect. However, it took them a number of days after from when they said the fabrics would be delivered to arrive in Bournemouth ready for us to start working. This was quite frustrating for us as it meant our time allowance was getting shorter and had less time to complete the garments. When the fabrics did arrive there was very little instruction and the designs were very vague which also made it more difficult for us. I am glad I was working with the others in a group as I dont know what I would have done if we weren't able to discuss and share our confusion with the rest of the group! With Michalis and Julia and the rest of the co-ordinators up in London working on rehearsals and the other costumes being made in London, it was difficult to get in contact with them to ask questions. We could also tell that they were very stressed! As a group we managed to complete all the garments on time. The garments I helped with included the sewing of one of the kilts and a number of the knee pads. I was pleased with what I had produced as they all turned out nice and neat and fairly well made, considering the restrictions!

Delevering the Goods

After failing attempts to drop off the costumes to Julia in Bournemouth as planned, it had resorted to needing to deliver them to the theatre in London. It was at very short notice they had asked us to do this which meant I had to rearrange my plans but I did want to go up there and see the set and take photos etc, so I was happy to drive up as they were offering to pay our transport. After a long drive in the dark it was worth it in the end as it was great to be amongst it all, and we were able to help out more directly on the costumes while we were there. Michalis was really pleased with what we had produced which was really satisfying, knowing that we had helped out and did a good job of what they asked. I loved watching the rehearsals also as we got to see some great dancing and got a greater feel for the shows atmosphere. I think I gained the most from this experience of being there amongst all the other people involved on the project, like the other costumes makers, set production and the cast and directors. It was a really fun and friendly atmosphere and I wish I was able to have spent more time up in London working with the production, but of course the distance and commitments meant this was not possible. However I have learnt from the whole process to be more expectant of pushed deadlines and being asked to go that little bit extra! Below are some pictures taken when we got to the theatre, down in the dressing room where the rest of the costumes were being made..

These pictures are of some of the costumes being worn and fitted to the cast members.. complete costume for Lord Montague made by Michalis and co

Harem style pants made by the Bournemouth team

Harem style pants and a top made by Michalis and co

Rehearsals and dancing

Romeo & Juliet Press Release

Just thought I'd tell you a bit more about the play. I have recieved the press release and some literature from the director, giving background information on the production and its aims.

Aims of the production:
"Whilst retaining the original text and Early Modern setting, the production will make a dramatic departure from conventional offerings of the play by exploring and focusing on the racial conflict at its centre. Performed by a culturally mixed cast, with it’s central protagonists Romeo and Juliet portrayed respectively as being of Black African and Caucasian parentage, it will have distinct verbal and visual references to Black culture past and present woven into its tapestry and will feature ethnic music and dance coupled with the music and dance of contemporary urban black culture, an emblem for today’s youth."

The idea behind the show:
"Whilst maintaining the tragedy of a love that could not be, the piece will celebrate cultural diversity, paying important homage to the Africans who formed an essential part of Renaissance society and highlighting fundamental issues surrounding the place of race in Renaissance Italy. Our vision for the piece is inspired in part by historical representations and portraits such as that of the Dutch artist Jan Mostaert, Portrait Of An African. The painting depicts a Black African man who appears to be “fully assimilated” into Renaissance society."

"Imaginative parallels will be drawn between Shakespeare’s ill fated teenagers and the youth of today. The alienation and destruction of young lives featured in Romeo and Juliet, resonate at the heart of contemporary society, where there is growing concern for our discontented youth and despair at the many lives tragically lost. It seems that the teenagers of today are becoming increasingly estranged from the older generation, immersing themselves in gang culture, violence, alcoholism and drug taking. The production will place strong emphasis on this tragedy, the repercussions of violence and the destruction that may ensue from a refusal to listen to each other. Language shifts effortlessly through time weaving stories as it goes and our stories of teenage alienation and rebellion bear an uncanny resemblance to Shakespeare’s tale of ill fated youth. Whilst Romeo’s despair initially finds its voice in Petrachan verse, a growing number of today’s youth express their teenage angst in the poetry of Hip Hop. The creative forces of Hip Hop and R and B music and dance, have become the essential urban street code and African, Gospel and Jazz music and dance lie at their roots. These art forms are rich testimonials of joy and pain, powerful expressions of the self and of society, culture and spirituality. The complex rhymes and beats and sophisticated play on words, can be as striking and poignant as Shakespeare’s verse. He is a master of wordplay, using pun and other devices to show that language is not a static or transparent thing, in the same way that some of our greatest modern musical Rap poets are. This production will break new ground in that it will aim to reveal the depth and range of these music and dance forms. By placing them in an Early Modern setting, the production will reveal their versatility and universality, whilst acknowledging their dignity and beauty -The poetry of Hip Hop for example is limitless, able to infuse even iambic pentameter with its distinct and wonderful flavour. It will offer a version of this classic love story that is grounded in reality, subtly conveying the fascinating journey of Black Africans through history."

I was originally sent this info and press release at the very start of the project but I think it describes the feel for the play much better than I would be able to. After reading it I was immediately excited to be on board. I love that they aim to draw parallels between the issues raised in Shakespearean times to those of today, in particular the presence of race and youth culture which apart from the difference in time, the two aren't actually that far estranged from eachother. I am also really interested to see how the music and dance compositions will be incorporated into the play, as urban music and street dance are styles that I am always facinated by and I think a lot of young people can relate to them both in one way or another. The director has already shown me some clips of the casting auditions for dancers, and they look amazing!! Here are some stills of the video clips..

Trend Update 2009

Came across these highstreet trend and style notes on MSN. Thought I'd make a note of whats going on on the high street this year along side what I'm seeing on the catwalks...

"...
At Miss Selfridge the look and feel is distinctly '80s retro with bleached denim drainpipes, figure hugging dresses and attitude jackets to rock.

For eveningwear however, the look is decidedly more glamorous with lashings of pearls and gold chains galore. Wear yours with attitude over a skimpy black number.

Victoria Beckham launched 2008's wet-Lycra legging trend with aplomb. For the less brave among us however, sleek satin trousers and figure-hugging knee-lengths look to be hot for 2009.
Across the high street a distinct cowgirl feel appears to be emerging, with check and gingham shirts launching alongside bandanas, scarves and crumpled leather jackets.

Last year Littlewoods employed the services of Trinny and Susannah to help them spread their appeal to a younger, savvier market. This year's spring/summer collection looks to be loud and proud as a result.

Sixties chic will always be sassy in our book. And New Look are rocking the trend with this limited edition shift dress (£35), socks (£3) and strappy sandals (£40).

Combining different styles is set to be a key theme for 2009. Who would have thought a Napoleon-style jacket worn with a cute summer dress would work Yet somehow, it does.
Cream military jacket (£40), Blue and white striped scarf (£10), white broderie dress (£30) all from Therapy at House of Fraser.

River Island frequently collects 'Best High Street Store' awards and this year's collection combines feminine dresses with masculine tailoring. Yes, the boyfriend jacket is here to stay for 2009 - as are sky high heels with attitude. All items featured here will be coming to River Island stores this spring.

Nautical navy themes will pepper the high street this year. This frill military jacket (£35) is smart and fresh, by Dorothy Perkins.

Credit crunch times will call for a little flair when it comes to vintage shopping. This cute vintage cowichan is £45 from a selection at Beyond Retro.

When one wants to evoke an air of sophistication, one need look no further than Hobbs. We love the 1920s glamour look.

Make like Sienna Miller and always accessorise with a cute hat. Complete the 80s feel with this ensemble from Littlewoods.

For the young at heart, jumpsuits continue to hit the shops in 2009. This grey workman-like number, accessorised with a pink Belt, is available from Asos.

Remember the cropped Tees we used to admire in Fame? They're back! Get yours from River Island.

Looking to accessorise that cowgirl gingham shirt? Look no further than Principles for a great tassel bag.

Accessories should be worn loud and proud in 2009 - and ruby red is set to be big, big, big. Belt (£28) bag (£70) and shoes (£85) all from Dune.

Men's brogues crept into women's wardrobes in 2008 and the trend is set to continue for 2009. Dune have created their own version with a twist for £99.

Source: http://style.uk.msn.com/fashion/gallery.aspx?cp-documentid=12753650&imageindex=14

Hussein Chalayan at Design Museum

22 January – 17 May

Leading the forefront of contemporary fashion design, the twice named 'British Designer of the Year,' Hussein Chalayan, is renowned for his innovative use of materials, meticulous pattern cutting and progressive attitudes to new technology.

This exhibition will be the first comprehensive presentation of Hussein Chalayan’s work in the UK. Spanning fifteen years of experimental projects, the exhibition explores Hussein Chalayan's creative approach, his inspirations and the many themes which influence his work such as cultural identity, displacement and migration.

Exhibits will include ‘Afterwords’ which explores the notion of ‘wearable, portable architecture’ in which furniture literally transforms itself into garments; ‘Airborne’ bringing the latest LED technology to fashion design with a spectacular dress consisting of Swarovski crystals and over 15,000 flickering LED lights; ‘Before Minus Now’ a dress made of materials used in aircraft construction which changes shape by remote control and ‘Readings’ a dress comprising of over 200 moving lasers presenting an extraordinary spectacle of light.

Open until 10pm Friday 23 January and Friday 24 April. Find out more about the museum's late night openings Design Overtime.

In association with

Fashion VS Sport

Yesterday we went up to London primarily to see the Fashion Vs Sport exhibition at the V&A. The aim for us to realise the connection between Fashion and Sport..

"Sportswear has become an essential part of the modern wardrobe. Trainers and tracksuits are more readily worn than suits, and high performance textiles developed for competition are being integrated into high-end fashion. Fashion Vs Sport examines the way that sports styles are adapted to make fashion statements, both on the street and through high fashion, and how sports and fashion products are consumed, customised and worn."

I quite enjoyed the exhibition for the customisation and adaptations of sportswear into bright and exciting garments, like those featured in the 'Display' and 'Play' sections of the exihbition space. I took notes of some of the articles I liked and did some sketches of interesting shapes within the garments, so I'm able to look back on my research and draw inspiration when I come to my own design ideas.

I'm now really keen to get hold of the brief for this new project as I do like the idea of a sportswear project, because as I've found, the boundaries are so vague that you can do a lot of exciting things based around this topic!

Useful article:

http://www.metro.co.uk/lifestyle/article.html?in_article_id=243612&in_page_id=194

Pattern Cutting & Construction Work

So far this term we have learned various pattern cutting methods, including how to adapt a pattern from the basic block, modelling on the stand, dart manipulation, and lots more. I have really enjoyed the pattern cutting sessions as I like knowing how garments are created, and here we get to understand their constuction a whole lot better by learning about its 2D form aswell as 3D. I also understand and quite like the fact that you have to be quite particular and precise when creating patterns to give the most desireable outcome, as I guess I can be a bit of a perfectionist so I think I'm well suited to pattern cutting! However, I do still find it difficult at times.

I also try to take the same care and precision when constructing garments, which follows on from pattern cutting when we are asked to make the pattern and then construct the full garment. In Contruction Principles sessions we learn about things like lay plans, different sorts of seams, and coming to terms with the new industrial machinery, which can take a while to adjust to! The sessions are heavily industry based so we are often taught different methods to what we are used to from our domestic machine and construction skills. I really enjoy the PCCP unit of the couse as it's so hands-on and I feel I learn alot from this aspect.

Below are some of the items we have created using basic block patterns, manipulating them to give the desired shape and style of design, then put together in calico. They are only meant to be basic toiles to show the construction process, and not intended for wear so no great detail is necessary.

Basic bodice with sleeves, centre back opening

A-line cotton drill skirt with invisible rear zip and waist facing

Jeans style shorts with fly zip and waistband

The last project within the PCCP unit for this term is to construct a women's shirt from start to finish, (pattern cutting to final pressing!) using the knowledge we have gained so far to try and carry it out by ourselves, but with the tutors help when necessary. So far I have created the pattern and cut out from the fabric (which by the way has a stripe pattern just to make it that little bit more difficult!) making sure all the stripes match up on the lay plan. I will post a picture of the finished article in all it's glory when I have completed it!

Romeo and Juliet

I AM GOING TO BE INVOLVED IN THE COSTUME DESIGN FOR A WEST END PRODUCTION OF ROMEO & JULIET!!!!!

Last week I was browsing the internet for part time jobs and came across an ad for "Costume designers and makers wanted - would suit fashion/costume students or anyone wanting to expand their portfolio".... So I sent an email explaining that I am a first year Fashion student at the Institute and am keen to be involved...

So after various meetings and conversations with the organizer (who is also the director of the play) I have established how much time I am able to put in, after coursework which is priority. I think if I manage my time well I will be able to work on the costumes either every Sunday in the week, or perhaps swap this for a couple of nights during the week. 

Taking on this extra project will mean I may have a bit of a heavy work load up until mid January, when the play is showing in the West End, but this is an incredible opportunity for me at this stage in my professional career development, which is just too good to miss!!

As of now there will be 6 of us in the costume department, 1 one which I have met and later today we will all be meeting together to establish our initial ideas for the costumes. From then we have until next monday to produce our individual design ideas, which we will then put forward to the group and perhaps decide on aspects of everyones designs to bring together and come up with one final design for each character.

We have 6 weeks to produce about 35 costumes!! So it will be hectic but really exciting. And some of the costumes can be made quite simply as they do not need to be too elaborate, eg: clothing for the towns people may be a simple blouse and full skirt for example, which won't take too much time to make.

The director suggested that Franco Zeffirelli's version of the famous play is closest to what they are trying to achieve in  their production, so I took this out of the library last night and watched it at home. I gained lots of inspiration from the 1968 film and the Oscar winning costume design, and it also helped me brush up on my knowledge of the story and its characters, which will be important when designing the costumes as their characters may need to be reflected within the clothing.

I will keep posting to update on the progress of the project so watch this space!!

ITV Fixers

"...

BA (Hons) Fashion Studies student Kelly Levell from the Institute is setting a trend in clothes recycling, and will appear on ‘Meridian Tonight’ on Wednesday 3 December as part of ITV Fixers, the regional news campaign that challenges young people to do something about an issue they care about.

Second year student Kelly Levell, 20, is concerned that the fast turnover of cheap clothing available in the High Street is wasteful and is exploiting Third World labour. She wants to encourage people to reinvent and revamp what’s already in their wardrobe.

With the help of ITV Fixers, Kelly and fellow students Jade Ireland (20) and Jenny Forsyth (22) are building a website to raise awareness of the implications of fast fashion, and giving advice on how to recycle clothing. “I would like see consumers buying into more sustainable and ethical labels rather than High Street,” says Kelly. “Using our website as a tool people will be able to find out ways to reproduce the clothing they already have rather than just buying into the disposable fast fashion society that’s around us today. Ultimately I would love to slow down fast fashion because it’s gone too fast and it’s gone too far. Now is the time to make a difference.”

The story of Kelly’s project will be told in ‘Meridian Tonight’, which is broadcast from 6pm on ITV1, on Wednesday 3 December, and there is more information about it on www.itvlocal.com/itvfixers.

ITV Fixers, which launched in ITV regional news programmes earlier this year, challenges people aged between 16 and 25 to identify an issue of concern and gives them practical help and guidance to ‘fix’ the problem.

..."

Taken from AIB Intranet.

This is something that I am really keen to watch, as it relates really well to my current FDP project based on philosophy. Our brief is to create our own philosophy and currently I am having real trouble in thinking up one of my own. I want it to be inspired by the fast fashion industry so I hope that by watching this it may help me develop my ideas. However, it is showing in a weeks time which may be a little late for my project, but will still be well worth a watch anyway!

Trendstop.com

Just found a good website....

Really want to go to this!! Prices TBC

How to find a job with a Fashion Design Degree

I found this page whilst looking for fashion templates on the web and found it quite useful and insightful. I have highlighted some key points that stuck out for me which will be useful to remember. Original source: http://www.fashion-templates.com/?page_id=17

Julie Moore - Source: http://www.fashion-schools.org/

So, what do you do once you get your fashion design degree? The path is simple: market yourself, market yourself, market yourself. You know that you are talented, and armed with your fashion design degree, it is time to make sure everyone else knows this too. While you are in school, decide what aspect of fashion design you wish to focus on, and then do what it takes to get there. It is no secret that fashion design is a skills-based industry - creativity is crucial, but your applicable skills are just as important if you want to get your foot in the door. Potential employers want to see what you know, and what you can do. Show them!
The first way to properly marketing yourself involves building out a thorough, professional-looking portfolio. Do not fret if you are a recent graduate, employers understand this and are happy to consider your best student work as an example of your abilities. Spend time carefully tailoring your selections because the portfolio you present is your chance to make a memorable first impression.
It is also important to have versatile skills. It is likely that you won’t start out as the head designer or the creative directory - no matter how wonderfully talented you are. You want to be seen as an asset no matter what position a potential employer has available. So, make sure that you have the creative skills, the ability to troubleshoot, devloped critical thinking skills. Impress your employers no matter what role you fill and you are well on your way to a successful career.
Okay, so the most important advice we offer budding fashion designers is to be prepared for and willing to do anything. Don’t be afraid to take a job answering phones for Calvin Klein or manning the copy machine for Prada. Just view any opportunity as a way to get started. Keep your eye on your long-term goal but be willing to settle for less in the beginning.
Just for a little extra boost of encouragement, consider the first jobs of same of the most famous designers in the industry. Ralph Lauren was a door-to-door tie salesman. Coco Chanel worked as a retail saleswoman in a hosiery store. Salvatore Ferragamo worked in a boot manufacturing plant, and Marc Jacobs was a stock boy for a New York clothing store. Laura Ashley was a secretary and Manolo Blahnik was a jean buyer for a department store. Humble beginnings? Certainly. The talent of the household brand names mentioned here didn’t just suddenly pop out of out nowhere. Instead, these designers believed in their talent and were willing to do what it took to break into the industry. Remember this.
Whatever you do, pursue your career in fashion with passion and intense dedication. Start each day with a healthy dose of optimism and know that if you work hard enough for long enough, your dream job can happen. See you on the runway!

Job Descriptions...

Fashion Illustrator

Also called: Fashion Artist
Job Description: Fashion Illustrators conceptualize and draw apparel and accessories by hand or using special computer software programs (e.g. CAD). These illustrations are used in advertising layouts for newspaper and magazine advertisements, direct mail catalogs, department store ads, television commercials, films, brochures, and flyers. Fashion Illustrators may work for an advertising agency, a manufacturer, department store, as a freelance illustrator, or out of their own studio.
Salary Range: $0 to $60,000
Outlook: Many of the jobs once done solely by fashion illustrators are now also being performed by fashion photographers. However, fashion illustration and fashion artist jobs remain. Opportunities are available for well-trained and skilled illustrators with employers like pattern companies and fashion forecast firms for whom photographs will not suffice.
Qualifications:
Education - A college degree is not required, but 2-4 yr degrees in Art, Drawing, Fashion Design or Fashion Illustration will be very helpful. Coursework in business is helpful for freelancers.
Experience - Demonstrated ability, skill and style, in the form of a portfolio is required. In addition to print illustrations, online and electronic portfolios may also be required.
Personal Characteristics/Skills - Excellent computer skills, particularly with CAD software; excellent drawing skills; high level of creativity and artistic expression; ability for self-promotion; basic business know-how.
Career Path: Fashion Illustrator Freelance > Staff Fashion Illustrator

Fashion Designer

Also called: Clothes Designer, Apparel Designer
Job Description: Fashion designers conceptualize and create new clothing and accessory designs. They must analyze fashion trends and work closely with production, sales and marketing departments to design, produce and promote a finished, ready-to-wear, salable product for apparel manufacturers, specialty and retail stores, and at times, individual clients. Fashion designers usually specialize in a specific line of clothing such as sportswear, men, women, kids, maternity, bridal, and so on. More experienced designers may be required travel to promote their lines.
Salary Range: $14,400 to $200,000+ Entry level pay may range from $14,500 to over $17,000 Experienced pay may range from $20,000 to over $40,000Top level pay may range from $75,000 to over $100,000
Outlook: Demand for fashion designers should continue to be strong because consumers constantly seek new fashions and styles. With enough talent, patience and determination, those who want success can achieve it. As with many sought-after careers, expect long hours in the beginning and be ready for seasonal slowdowns.
Qualifications:
Education - a 2 or 4-year college degree in Fashion Design, Fashion Merchandising or a related field is recommended but not always required
Experience - several years as an intern, design assistant, junior designer
Personal Characteristics/Skills - above average ability for creative expression; sewing skills; drawing and sketching skills; computer skills (especially with the use of CAD); ability to discriminate between colors and judge fabric quality; knowledge of fashion trends and forecasts; knowledge of manufacturing and production process; persistence; ability to deal with ambiguity and rejection; handle stress due to deadlines.
Career Path: Design Assistant > Assistant Designer > Associate Designer > Fashion Director

Fashion Buyer

Also called: Buyer, Apparel Buyer
Job Description: Fashion buyers select and purchase apparel and accessories from designers, manufacturers or wholesalers for retail sale to their customers. Buyers use their fashion sense, knowledge of trends, and understanding of their target customers' desires to create a range of selection within their retail stores. Due to the length of time it takes for a designer or manufacturer to fill all their orders, buyers often make their purchases up to 1 or 2 years in advance. Buyers must also be good at budgeting and planning their inventory so that a good selection of clothes is always available. Buyers for larger department stores usually specialize in a specific line of clothing or accessories (e.g. men's denim).
Salary Range: $30,000 to $100,000Entry level pay may range from $30,000 to $45,000Experienced pay is around $50,000+Top level pay may range from $70,000 to $100,000
Outlook: Good to Excellent. While the overall number of buyer positions available is expected to decrease, positions become available due to internal promotions or transitions. Prospects for advancement for buyers is also good. Buyers who start at the assistant buyer level have a good chance of becoming full-fledged buyers within 3-5 years.
Qualifications:
Education - A college degree in Fashion Merchandising or some related field is required. Coursework in Business and Fashion Design is very helpful.
Experience - Retail sales experience is very helpful because understanding customer buying behavior is a key part of being a successful buyer.
Personal Characteristics/Skills - Fashion-lover; Knowledge of fashion history and trends; good analytical skills; excellent budgeting and planning skills; inventory management; good negotiation skills; flexible work attitude; ability to deal well with deadlines and stress.
Career Path: Assistant Fashion Buyer > Fashion Buyer > Fashion Buyer > Divisional Merchandise Manager

Fashion Stylist

Also called: Stylist
Job Description: Fashion stylists are responsible for bringing to life a photographer or director�s vision for a fashion photo shoot, layout, music video, commercial, print advertisement, etc. Fashion stylists often scout locations, create the mood for the shoot by selecting and setting up the appropriate props, fashions, accessories, and even models to fit the theme of the shoot. Companies such as magazines, newspapers, retailers, advertising agencies, and music production companies often employ fashion stylists. Many stylists also choose to run their own businesses.
Salary Range: $0 to $100,000+Entry level pay may range from $150-$200/dayExperienced pay may range from $500-$5,000/dayTop level stylists can earn up to $100,000 and more
Outlook: Aspiring fashion stylists should expect to work their way to the top. The most successful fashion stylists have extensive networks of contacts within the fashion industry to get the job done quickly and on budget. In addition, clients usually hire stylists they have used in the past or those who have proven success in the business. Once established, stylists who maintain a good professional reputation can expect plenty of repeat business and often take advantage of this by setting up their own independent businesses.
Qualifications:
Education - A 2 or 4-yr. degree in Fashion Design, Fashion Merchandising, Art or Visual Merchandising is helpful but not required.
Experience - Previous retail experience is helpful, as are internships with fashion publication and apprenticeships under experienced fashion stylists.
Personal Characteristics/Skills - Eye for style; creativity and resourcefulness; persistence and self-motivation; broad knowledge of fashion history, trends and forecasts; good interpersonal and networking skills; technical know-how for setting up sets; ability to market oneself.
Career Path: Intern/Stylist's Apprentice > Assistant Fashion Stylist > Staff Fashion Stylist

Here is some advice for hopeful fashion designers:
How can I break into the fashion world? teenfashion.bout.com
Q: I've been dreaming about being a fashion designer my whole life. I make some of my own clothes and get tons of compliments. I want to start selling my designs and get a business going. Do you have any tips? - Dreamin’ of Couture

A: Aloha Dreamin’!I certainly do have some advice for you! First off, congrats on deciding to pursue a career in fashion. Thankfully, we live in the digital age, which makes it relatively easy to get into the indie fashion scene. Start off by having a fashion shoot at your home with some friends. Have them model your fashions and take digital pictures of them at a high resolution. Then, get online and get yourself a website made. If you don't have any funds, start with a Geocities, or an Angelfire site.
While this isn't the way to get tons of people to visit you, it certainly is a start.
If you do have a bit of money to invest, come up with a cool name, and head on over to GoDaddy.com to register your dot com. Then, get hooked up with some hosting, and start designing your killer website. After that, it's time to promote you. Tell all your friends to link to you, get your site on all of the free listing directories. You need to make people come to your site, so spread the word. Offer some cool DIY tips for people. Make it a resource, as well as a shop. Keep a design journal and let people know what you’re working on.
Next, try and get an internship helping a local designer. They need the help, and can't pay much, but the amount you can learn from someone who's doing it themselves is worth more than any amount of money if this is really what you want to do, which leads into my next point about internships. Not only is it great to see what it's like to be a fashion designer firsthand, you'll also be able to judge if you're willing to do this. The long hours, the time away from friends, the frustration of running a business, all of that.
If you do decide after an internship that this is what you want to do, it’s time to get started. Contact other local designers and small boutiques and see when they host fashion runway shows, and see if they'll let you participate. Before jumping in, go to one as a spectator, and check out what it's like behind the scenes. Once you have a plan, sign up as a designer, and get your styles on the runway. Once you've been in a few shows, try contacting local shops and see if they would be interested in carrying your line.
Don't be discouraged if it doesn't happen right away. These things take time, and persistence. Remember that if you work on something hard enough and long enough, you WILL succeed.

Portfolio Creation - Fashion Career
Once you have selected an institution, you will need to focus on your portfolio. A good portfolio should demonstrate your ability in drawing, design development and problem solving, use of colour and fashion edge.
Your portfolio should really only contain your fashion illustrations, nothing else. If you do graphic design also, leave that out if you’re in a fashion illustration interview. Make a separate portfolio for your other categories. Always only use your favourite pieces to show in the portfolio, about 10-12 works. You should always update the portfolio as you create new pieces, take out your least favourite and replace with better ones. If you have not worked before, and you’re fresh out of school, you will have to sit and create a portfolio from scratch. Never use pieces that aren’t directly in line with the field you are applying for.
Your front piece should be your best one, and then end off with a strong one. Rather only use your best works, than try to fill up the portfolio with feeble stuff. Always include some good rough sketches from your sketchbook (Reminder: KEEP A SKETCHBOOK!!) When you speak to the interviewer, be positive about your stuff; don’t make jokes or funny comments about it! Even if you’re thinking it.
It must look professional; therefore all your designs must be the same size, if most of them are A3, then blow up the rest of the images to be that size. Make sure the copies look good.
When deciding on the layout of your portfolio, keep all the landscape ones together and the portrait versions in a group too. It's best to print them out in a manner that you won't have to keep turning the book to see them upright. If possible, add backgrounds or borders for effect.
Design an amazing front page, go with a fashion illustration theme, and include your contact details. If your portfolio sleeves are getting scuffed then replace them or get a new portfolio. Keep some extra copies of your work so that you’re able to give them away as samples, if possible you should make a reference list of previous clients - if you’ve done fashion illustration work for them.
Try to not let your presentation be too complicated, if you do provide an online presentation, make sure you have a physical one as backup.

Marketing Yourself
You should go to sites such as http://www.portfolios.com/, http://www.dexigner.com/, http://www.art-dept.com/, http://www.illustrationweb.com/. These are great sites that you can load your portfolios onto, it will be an online showcase and display all your contact details. They enable you to network freely in the industry.
You should also try to perform a mailing campaign and post off colour copies and printed samples of your strongest illustrations to companies you wish to work for. Always perform the research first. Never send original illustrations off. Send them each with your contact details on them, individually. Type up a professional covering letter; include a card that they can respond with - even a self addressed stamped envelope to make it easier for them! Always ensure that the contact person’s name is spelled correctly.
Include a list of former clients, or college references. If you are fresh out of college, your professionalism will impress them! Write a list of all the people you have sent these to, what responses you’ve gotten. Don't be too forlorn if many people don't respond, this is the professional world and feelings aren't taken into account!
Set up a regular mailing campaign and mail colour copies, postcards or printed samples of your very best illustrations to publishers or companies that you would like to work for. Do your market research first!
And lastly, ALWAYS be on time for appointments and be courteous.

Is college necessary?

Many talented illustrators/designers are self taught. The talent can’t be taught, just the polishing of skills and techniques. Some illustrators have degrees in art and have found art school to be a valuable resource and learning situation. You can decide what works best for you; you will learn new skills throughout your career. Your best bet is a strong portfolio of work; your prospective employer might overlook the formal training if he/she sees the raw talent and professionalism in you. Don’t only concentrate on good illustration skills and talent, having a good business mind is imperative to your success. The odd thing is that very few schools offer courses in the business of design/illustration; you need to source those skills yourself. Most design students leave college very bright eyed and bushy tailed, only to be disillusioned when realising that its a harsh world out there. The relaxed days of college are over! Be realistic; know that you’re going to struggle initially.
Whichever road you take you should also have a back-up career in mind. Very few illustrators can start out working full-time in any illustration field unless they happen upon a staff position, which are few and far between. You are going to need some other career to support you while you develop your career as an illustrator. If you are young, then concerns like dental insurance and health insurance may seem inconsequential but they really are important! Some freelance illustrators have their second or part-time job in a creative field but other illustrators find that working in a non-art related field helps keep their creative level high for their illustration work.

Good Traits for an Illustrator
The misconception is that all you need is talent, which is never enough. The market is flooded with raw talent; most are not going to succeed in the field of design or fashion illustration. Most of the very talented ones can’t succeed because they might not have the simple characteristics of a good employee, punctuality, working to a deadline, working as a team or being computer literate. The estimate is 1 -10% of all illustration/fashion students will succeed as professionals.
If you do anything as a freelancer you need to be self motivated, a good business mind and extremely organised. You have to be able to take criticism and persevere. Always be knowledgeable about your field, you need to be able to negotiate contracts and understand copyright laws.
A good artist/designer must always be researching and growing in his/her field, throughout their career. Broaden your areas of expertise, times are always changing and tastes vary.